Armenia Theatre Live Wallpaper 1.1

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Armenian theater dates to before Roman times and is one of the oldest Eurasian theatrical traditions. The Armenian Theater has its roots in the theatre of Ancient Greece, and it was a natural development of ancient religious rituals, when hired professional gusans (troubadours), sang the praises of the nobleman's ancestors in lengthy verses. Singers of lamentations or tragedians were known as voghbergus, and those participating in festive ceremonies were called katakagusan (Comedians).

The history of the Armenian Real Theater begins at about 70 BC. According to Plutarch, the first historically known theater in Armenia was built during the reign of Tigran the Great. In Dikranagert he opened a great public theatre in 69 B.C., fourteen years before Pompey's first public theatre in Rome. armenia theatre live wallpaper. Great advances in every field followed the translation of the Bible (410 AD), including the theatre. But the advances Armenian culture came to an abrupt halt in the seventh century when the Arab invasion slowed all progress. hayk barseghyans theatre lwp. Although a cultural decline existed during the eighth and ninth centuries, the theater held on and survived. Armenian historians of the era indicate its living presence. Archeological excavations made in the fort of Kaitzun Bert in Lori have uncovered numerous statues of actors and masks of animals and birds, which confirm the descriptions given by historians.

During the eleventh through fourteenth centuries, the Armenian theatre continued to improve and enhance its dramatic styles in the Armenian-Cilicia area. The Mime Theater cleansed itself of excesses, the Tragic Theatre was enriched by employing topics from the epics, and the Comic Theatre satirized the social classes. gyumri live wallpaper. A decline began with the fall of the last independent Armenian kingdom, the Lusignan dynasty of Cilicia in 1375. Various theatre groups scattered all over Asia Minor, going to autonomous Armenian provinces. Charden, a French world traveller, in his Les Mimes de l'Orient, gives a detailed description of a performance he attended at the Armenian Mime Theater in Yerevan, Armenia, in 1664. At that time Armenia was under Persian rule. Chardin's account reveals that the Goussan tradition was still alive with mime action, accompanied by music, singing and dancing, similar to opera.

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